Jared’s intreview about the upcoming 30 Seconds to Mars upcoming album

“While working on 30 Seconds to Mars’ new album, frontman Jared Leto is fawning over a well-traveled instrument. “That has played on many records, I think ‘Achtung Baby,’ ‘Violator,”” Leto tells Spinner, pointing excitedly to a Sys700 synthesizer, and “beast of a machine,” in the corner of the Studio City, California home studio where he and his bandmates have been recording their third album, ‘This Is War,’ for the last year.

The synth comes courtesy of producer Flood (U2, Nine Inch Nails, Depeche Mode) and allows Leto to enjoy his musical past. “It’s a phenomenal piece of machinery and there is something that is really nostalgic for me,” he says. “You can hear the soundtrack to your life roll by when you play around with it.”

Aside from the synth, Flood has brought a lot to the album — due out October 20 — after the band settled their $30 million lawsuit with Virgin Music. “He really encouraged us and helped us kind of realize our vision,” Leto says. “He seems to have this karmic, uncanny ability to be with bands at pivotal creative moments in their careers, whether it’s U2, Nine Inch Nails, Depeche Mode or PJ Harvey. Whoever it is, he has the ability to be with them, and I really thought we were at that point in our lives creatively. We were at a pivotal moment for us where we were at creatively, ready to make a step or leap.”

And then of course there is that piece of rock history he brings with him, one Leto has become perhaps too enamored with. “I’m going to have to send him a very polite letter informing him he will never get his $5 billion synthesizer back. There are only a few in the world and I must claim ownership to one,” Leto says joking. We think.”

Source: Spinner.com




30 Seconds to Mars “2009 Summit” footage

Mtv.com published an article and video with exclusive footage of the 30 Seconds to Mars “2009 Summit”

“They’ve called it “one of the best things we’ve done as a band,” but aside from that, 30 Seconds to Mars have remained tight-lipped about “The Summit,” the fans-only gathering/recording session they held last month at Hollywood’s Avalon club.

We know they used the audience as a sort of “musical instrument,” recording their vocals — among other things — for use on their new album. But aside from that … not much. The whole experiment is made even more compelling by the fact that — aside from a few snippets of video shot by fans and the band itself — no one has seen (or heard) anything that went on inside the Avalon.

Until now, that is. Earlier in the week, the band sent MTV News footage of the event, and after a few days of back-and-forth, we’re finally able to show it to you.

The video shows Jared Leto and his bandmates leading the audience through a variety of audio experiments, including synchronized stomping, shouted “Heys!” and “Ooh-Ooh-Oohs!” and — most impressively — a rising, whisper-quiet-to-ear-splittingly-loud hum. We also see Leto’s brother Shannon directing a drum exercise, with fans arranged around him in a circle banging on cardboard boxes (surely this is the “percussive expression” Jared told MTV News about a few weeks back).

It’s not known just how much of the recordings will actually end up on the 30STM album — which will be hitting shelves in September on Virgin Records. It’s also not clear if any of the footage the band shot during the Summit will end up on the long-gestating film Leto is editing in his L.A. home.”

Exclusive Footage video

See the news here

Source: Mtv.com




Jared Leto Talks New Album.

Exclusive entreview for Buzznet about the upcoming album

“As musical journeys go, the one taken by 30 Seconds to Mars has been one long, strange trip. Since breaking through to new heights with the rock hit “The Kill,” and then making history by shooting a music video in China, the band has been comparatively quiet for the past year, in part because it was tied up in business disputes with its record label. But despite the drama, 30STM singer and co-founder Jared Leto tells Buzznet that the band is ready to blast off once again.

In an exclusive interview with Buzznet, Leto revealed that the band has been recording songs “for a year,” and that creatively, “we’ve undergone a transformation of sorts. There’s an evolution that’s happened. There’s a place that we’ve arrived at that we’ve been looking for for quite some time. And it’s a nice feeling to get there.”

30STM also made a special effort to include their fans in the recording process, using a gathering of roughly 1,000 fans in Los Angeles last week to experiment with crowd sounds….”

Read and listen to the whole entreview here

Source: Buzznet.com




30 Seconds to Mars Back in Virgin Territory

Why be at odds when there’s music to be made?

Back on the same page after months of legal wrangling over royalties and whatnot, 30 Seconds to Mars is once again recording for longtime label Virgin Records.

The Jared Leto-fronted rock band’s third studio album, currently titled This Is War, is slated for a fall release following a truce between the EMI-owned label—which had sued the group for $30 million—and talent (who in turn had really lashed out at Virgin).

“So here we are, after almost a year at war, and the time has come,” Leto wrote yesterday on 30 Seconds’ website. “The time to make peace, to move ahead, and to begin again. We are finally and thankfully at a place where we are excited and relieved to put behind us one of the most challenging battles of our entire careers.”

That good place was probably arrived at after the two sides had satisfied each other’s monetary concerns, judging by how Leto described the conflict-resolution process.

“There are many reasons that have contributed to this decision but overall the willingness and enthusiasm by EMI to address our major concerns and issues, the opportunity to return to work with a team so committed and passionate about Thirty Seconds to Mars, and the company’s dedication to changing the status quo of the business of recorded music made this choice possible,” the actor-musician wrote.

“Throughout, we always looked for opportunities to make peace, and stayed open to compromise and resolution. But not at any cost. We were prepared to continue down this path as long as we needed to. This was a fight we believed in wholeheartedly. A fight about art. A fight about truth. A fight about fairness. And a fight about freedom.

“This was the first time we had to defend ourselves in litigation and hopefully our last. It was never for a single moment something we wanted, something we enjoyed, or something we treated lightly.”

And in case you were wondering, “litigation is not fun.”

Nick Gatfield, EMI Music’s president of A&R labels, North America and U.K., said in a statement: “We are thrilled to have set aside our differences and signed a new agreement with 30 Seconds to Mars. Our relationship has been extremely rewarding and successful, and we’re eager to move forward and put our global team to work.”

30 Seconds—Leto, his brother Shannon and Tomo Milicevic—have been busy cranking out This Is War, which will feature guest vocals by Kanye West, for nearly a year. They recently opened their studio to residents of Los Angeles’ Children of the Night program, which rescues kids from prostitution, and offered up free concert tix to their musically inclined guests.

source




Myspace bulletin from 30 Seconds To Mars

Jared Leto on behalf of 30 Seconds To Mars published a bulletin on myspace.com about the resolution of the Emi/Virgin vs 30 Seconds to Mars lawsuit.

“EMI vs. MARS
So here we are, after almost a year at war, and the time has come. The time to make peace, to move ahead, and to begin again. We are finally and thankfully at a place where we are excited and relieved to put behind us one of the most challenging battles of our entire careers.

For almost a year now we have been in Los Angeles, California, putting our hearts, hopes, and dreams into making a record that means absolutely everything to us. In addition to this incredible and creative adventure, we have had the added challenge of carrying the rather heavy burden of a 30 million dollar lawsuit filed against us by EMI records. Not the most ideal of conditions to make a record under but an integral part of our story nonetheless.

We are now nearly finished with our new record and have found ourselves in a place ready to accept an end to the arduous conflict with our former label. There are many reasons that have contributed to this decision but overall the willingness and enthusiasm by EMI to address our major concerns and issues, the opportunity to return to work with a team so committed and passionate about Thirty Seconds to Mars, and the company’s dedication to changing the status quo of the business of recorded music made this choice possible. We have decided it best for the music, for the fans, and for Thirty Seconds to Mars to accept a resolution with EMI.

Throughout, we always looked for opportunities to make peace, and stayed open to compromise and resolution. But not at any cost. We were prepared to continue down this path as long as we needed to. This was a fight we believed in wholeheartedly. A fight about art. A fight about truth. A fight about fairness. And a fight about freedom.

This was the first time we had to defend ourselves in litigation and hopefully our last. It was never for a single moment something we wanted, something we enjoyed, or something we treated lightly. A 30 million dollar lawsuit is serious business and we always respected the trepidatious path we were walking down. But we knew this was an important and worthy fight, and unfortunately unavoidable.

In case anyone is wondering, litigation is not fun. At all. My suggestion; avoid it at all costs. We tried. And tried, and tried again. Unfortunately, we eventually arrived at a place where it was impossible to continue working with EMI and necessary to terminate our contract. Citing a California labor law that protects the individual against unfair contractual obligations we gave notice to EMI of our intention.
(http://en.wikipedia.org/wiki/Olivia_de_havilland)

A little back story…

All of this started once we had finally, and thankfully, achieved some success around the world, only to learn that although we had sold millions of records we would never see a single solitary penny. On top of that, we were then told that we were also millions of dollars in debt. As you can imagine, that was more than confusing so we began to educate ourselves and started to discover what a strange situation we were in. For more of the reasons we went to war in the first place, here’s a link to the previous letter I wrote addressing it all.

http://thirtysecondstomars.forumsunlimited.com/index.php?s=3ac0c01d67e3d912640f6ddb1d52b9b3&showtopic=312534

Over the past eight months, there was plenty of internal debate about our future, about how far to take this fight, about what is important to us as artists, as individuals, as a band. About whether to put our new album out through a traditional record company or to experiment and break new ground. Many feel that the system now is antiquated and that with the help of new technologies and available platforms the conventional method is quickly on its way out. Others feel no one does it better than the experienced companies that have serviced most of us with the majority of music we love. It’s a great and endless debate. We are in the death throws of one system and the birth of another, which is as exciting at times as it can be painful.

After carefully considering all of our options, what would be gained, what could be potentially lost, we ultimately decided that reuniting with EMI/Virgin would be the absolute best route for the music and that no matter what, sharing this latest creative adventure with you all in the most timely manner possible is the most important part of any of it.

In the future, whether there are record companies or not, whether you put your music out only through the internet or sell it from an ice cream truck, you still need the help of individuals. And at the end of it all the biggest reason for us to reunite with EMI is exactly that. The people. It isn’t for business or finance or contracts or the end of lawsuits. It is for the chance to rejoin the people who remain, who have been a part of our phenomenal journey throughout, and for the limitless possibilities of those wonderful new individuals who will be helping us along this new path.

We are more than happy that this has all come to a close and we can begin to put it behind us. It’s not only a good thing, it may even be great.

We always left the door open for resolution and peace throughout this process, and we are thankful it did not fall on deaf ears. We look forward to a new beginning with EMI, and to sharing our new music with you in the very near future.

We will never forget the unrelenting support from all our friends, family and fans around the world.

A very wise man once said “We make war that we may live in peace”.

And I suppose sometimes we must fight in order to be free.

With love

Jared Leto”

Source: Myspace.com’s 30 Seconds To Mars profile.




Projects

    Chapter 27 (2007)
    As Mark Chapman
    Director: Jarrett Chaeffer
    Now on DVD.

    Mr Nobody (2009)
    As Nemo Nobody
    Director: Jaco van Dormael
    Status: Post-Production

Quoting Jared

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  • Welcome to Jared-Leto.org - a website for american actor/musician Jared Leto whom you might know from movies such as "Requiem for a Dream", "Alexander", "Lord of War", "Lonely Hearts", "Chapter 27", from the band 30 Seconds to Mars and from the upcoming "Mr. Nobody". Here we aim to bring the latest on Jared and his upcoming projects. Thanks for your visit and enjoy your stay.

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