They are also nominated for Best FANCLUB.

By Rosita on 09.13.08 1:14 pm | Permalink

Hola amor!!!
Ya re vote!!!
30 Kissess!!!

By Nadya on 09.13.08 4:52 pm | Permalink

Hola Jared!!!
Ojala me escribas a mi e-mail algun dia. Por favor, si??
jaredletosas_30@hotmail.com
http://www.fotolog.com/jaredletosas_30
Pasa!!!
Ojala ganen, se lo merecen.
Voy a seguir votando
Te quiero mucho!!!!!
30 Kissess!!!

Nadya
Buenos Aires, Argentina

24/10/07 The best day of my life in the Pepsi Music Stadium!!!

By Nadya on 09.13.08 4:59 pm | Permalink

Eu amo o Jared, amo o seu trabalho, ele eh incrivel

By Jeane on 09.13.08 8:28 pm | Permalink

YAYYYY! HAHA IS THERE ANYTHING THESE BOYS CAN’T DO? I DON’T THINK SO! GOTTA LOVE THEM

By tarah on 09.16.08 6:56 am | Permalink

Uhuhuh
Jared Leto the best!

By Aline on 09.16.08 7:57 pm | Permalink

They GOTTA win Best Fanclub!!!!!!!!! It can’t be someone else!

By JaredLoverke on 09.17.08 10:18 am | Permalink

it’ a matter of time that the Echelon will win a award so we can prove that we all rock and to be proud of ourselves
Besides theres an award that is MEJOR FAN CLUB that means BEST FAN CLUB
jeje
VIVA MEXICO!!!

By Andreina Starkissed!!! on 09.17.08 9:16 pm | Permalink

I’m vote for 30 seconds to Mars. And they gone win because it’s on my birthday, that’s luky day!!!!!!!!!!

By Iren on 09.18.08 3:08 am | Permalink

Jared and your band the best. Europe love you and Ukraine too.

By Irina on 09.18.08 3:14 am | Permalink

Jared and your band the best. Europe love you and Ukraine too. When you gone have new disk?

By Irina on 09.18.08 3:17 am | Permalink

30 seconds to mars ganara.
los contrincantes no tienen el paso sufiente como para arrebarar los premios a la banda.

bye, saludillos desde mexico.

By jona_leto on 09.18.08 7:32 pm | Permalink

People vote now on site http://ema.mtv.co.uk/.
Because 30 seconds to Mars nominated in category ROCK OUT of the year!!!!!!! Yeah, they gone winnnnn!!!

By Iren on 09.21.08 3:55 pm | Permalink

site working or not????

By Irunka on 10.04.08 6:29 am | Permalink

????????? [???????????]
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??????????????? ??????????? ???????????? ??? ??????? ????????? I ??? ?????????? ???????? 1918 ????. 1920-??? ?????? ?????????? ???????? ???????? ???????, ??????? ??????? ????????? ???????. ????????????? ?????????? ???????? ?????????????? 50-??? ?????? ?????? – ??????? ??????? ????????????, ???????, ????????. ??????? ??????????? ?????, ??????? ??????? ????????? ???????, ?????????? ????????????; ?????????? ????????? ???????? ?????? ????? ????-?? ????????? ?? ???????? ??????? ?????? ?????????. ???????? ?????? ?????????? ?????; ???????? ???????? ??????? – ????????? – ??????? ?????????? ???????. ???????? ??????????? ???? ?????? ??????? ??????? ??????????? ?????????? ?????????? ????????, ??????? ????? ????-??? ?? ?????????????? ??? ??????????, ???????? ????? ????-??? ?? ???????? ????? ???????????. ??? ??????????? ???? ??????? ?????????? ??????? ???????????.

????????????????? ????????? ????????? ????? ???????? ?? ?????????? ???????, ???????? ???????? ???????? ????????. ??? ???????? ?????????????? ???? ?????? ??????? ?????? ???????, ??????? ?????????, ???????? ?????-?????????, ??????????,?????? ????????? ?????? ?????????? ??????????? (“????? ????????”, “????? ??????? ?????? ????????”, “????????? ????? ????????”, “???? ??????? ?????”, 1906, ????? – ??????????? ?????????? ???????, ??????? ?? ????). ?????? ?????? ??????? ???????? ???????? ????? (“?????”, ??????????? ?????????? ???????, ???????), ?? ???????? ?????????????? “?????????” ????????????? (“????? ????”, “??????? ?????”, “????? ???????”). ??????????? ??????? ??????????? ???????????? ?? ??????.

?????????????? ???????? ?????? ?????? ?? ???????? (“??????”, “?????? ????????”, “?????? ???? ?????”, “???????? ?????”, “?????? ???????? ??????????? ????????”, “???????” – ????? ??????????? ?????????? ???????, ???????); ???????? ?????????? ??????? ????????? (“??????”, “??????????” – ????? ??????????? ?????????? ???????, ???????). ?????????????? ??????? ????? ???? ????????? ??????????????? ???? ???????? ????? ??????? (“????????? ???? ?????”, ???????, ????? ????????; “??????? ????? ???????”, “????? ???????? ?????” – ????? ??????????? ?????????? ???????, ???????). ??????? ????????? ?????????????? ?????????? ??????????????? ???? ????????? ??????????, ???????????, ?????????, ??????? ???????????????, ??????? ??????? ?????????? (“?????? ??????? ??????”,???????, ????? ????????; “??????? ?????? ?????”, “???????”, “??? ????”, “??????? ?????????”, “????????? ???????”, “???? ????”, “????????” – ????? ??????????? ?????????? ???????, ??????? ?? ????). ????????? ????????????? ??????? ???? ????????? ?????? ??????? “?????? ????????? ?? ?????? ???? ????????” (??????????? ?????????? ???????).

??????? ???????????????????????? ????????????? ???? ?????? ??????? ??????????? ????? (?????? ?????????????? ????????? ???????? ???????????). ????????, ???????? ???????? ??????????????? ?????? ???????? ????????-??????? ???? ???????. ????????????? ???????????? “?????”, “??????”, “????? ???? ???????”, “???? ????”, “????? ?????”, “?????? ???????? ????????” ?? ???? (????? ??????????? ?????????? ???????). ????????? ???????? ????????? ???????? ?? ???????????? (“?????????”, “????? ????”, “?????? ?????”, “?????? ???????” – ???????? ?????????? ????????; “???? ???? ???????? ????? ???????????? ??????? ?????????” ?? ????). ?????????? ???? ?????? ??????? ??????? ???????????? (?. ????????? “????????”, ?. ?????? “??-???”) ???? ???????????.

????????? ?????????? ????????? ?????. ??? ????????? ?????? ???????????, ??? ?????? ?????????? ????????? ?? ??????, ?????? ?? ?? ????? ???? ???????? ???? ???????? ???????? ??????????, ????????? ???? ?????? ????? ???? ????????? ?????? ??????????????? ??????????. ??????????????? ????????? ????????? ????? ???????? ???? ???????? ????????, ????????, ???? ?????????????, ???????? ?????? ?????????. ???? ??????????? ???????????? ????????????, ?????????????? ?????? ?? ???????? ??????? ???????????? ?????????, ?? ???????? ???????????, ???????? ?????????? ?????????, ??????? ????????? ?? ???????????? ?????. ???? ????????? ???????? ???????, ?????? ??????? ??????????? (????? ???? ???????????? ???????????? ????????????, ????????? ????????? ??????? ????????). ???? ????? ??????? ??????? ?????? ??????????? ?????. ????????? ????????? ???????? ???????????, ??????????, ??????? ?? ??????????? ????????? ?????????????; ??????? ?????????, ??????????? ??????????? ????????? ?????????; ??????????? ??????, ??????????????? ???????? ???????? ??????????????? ?? ????????????? ??????????. ????? ?? ???????? ?????????? ??????????? ???? ?????? ?????? ?????????? ???????????.

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??????? ???. ????????? ?????????? ???????? ?????? ??????? ???? ????-???????? ????????????.
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By snoopy on 02.05.09 12:03 pm | Permalink

Feast with Organ-Grinder Datiko Zemel, 1906, Art Museum of Georgia.Pirosmani was born in the Georgian village of Mirzaani to a peasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He move with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman.

Pirosmani gradually taught himself to paint. One of his specialties was painting directly onto black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

In April 1918 he died of malnutrition and liver failure. He was buried at the Nino cemetery; the exact location is unknown as it was not registered.

[edit] Work
At the beginning of 20th century Pirosmani lived in a little apartment not far from Tbilisi railway station. His paintings included many local scenes and imaginary portraits of Georgian historical figures such as Shota Rustaveli and Queen Tamara, as well as ordinary Georgian people and their everyday life.

In the 1910s he won the critical enthusiasm of the Russian poet Mikhail Le-Dantyu and the artist Kirill Zdanevich and his brother Ilia Zdanevich. Ilia Zhdanevich wrote a letter about Pirosmani to the newspaper “Zakavkazskaia Rech’”, which it published on February 13, 1913. He also undertook to publicise Pirosmani’s painting in Moscow. The Moscow newspaper “Moskovskaia Gazeta” of January 7 wrote about the exhibition “Mishen’” where self-taught painters exhibited, among them four works by Pirosmani: “Portrait of Zhdanevich”, “Still Life”, “Woman with a Beer Mug”, and “The Roe”. Critics writing later in the same newspaper were impressed with his talent.

In the same year an article about Niko Pirosmani and his art was published in Georgian newspaper “Temi” .

The Society of Georgian Painters, founded in 1916 by Dito Shevardnadze, invited Pirosmani to its meetings and began to take him up, but his relations with the society were always uneasy. Although he presented to the Society his painting ‘Georgian Wedding’, one of the members published a caricature of him which greatly offended him. His continuing poverty, compounded by the economic problems caused by the First World War, meant that his life ended with his work effectively unrecognised.

By snoopy on 02.05.09 12:04 pm | Permalink

Georgian Georgian Georgian Georgian Georgian Georgian Georgian Georgian Georgian

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